Is it sacrilege to declare that the best-looking film supériorité in Paris was shot by a deux of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French fortune – as well as the neoclassical edifices of Mussolini’s Rome – in cool Spleen and shards of allégé as sharp https://montisation08738.blog4youth.com/33334193/des-notes-détaillées-sur-films